Peter Hutton Movies

Shot on 16mm, this wondrous silent film study from avant-garde master Peter Hutton (At Sea) observes human movement across three distinct landscapes:...

In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising...

A portrait of Łódź, Poland that exists in a time-warp of sad memory.

BOSTON FIRE finds grandeur in smoke rising eloquently from a city blaze. Billowing puffs of darkness blend with fountains of water streaming in from...

A continuous dissolve of 87 male and female nudes. "The film's fascination lies with the suspense of that magic moment, halfway between two persons,...

For more than 100 years, the Statue of Liberty has been a symbol of hope and refuge for generations of immigrants. In this lyrical, compelling and...

This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007...

Commissioned by the arts organization Minetta Brook, Two Rivers was inspired by Henry Hudson’s failed 1609 quest to discover a trade route...

Florence is a contemplative study of light and shadows, textures and planes, that makes beautiful use of the tonal qualities of black and white film....

A documentary on New York City’s biggest public art project ever, an installation called “The Gates” by Christo and Jeanne Claude.

A woman searches for her husband, a film director who's gone missing while scouting locations.

Three segments depicting the life cycle of a freighter boat.

Third part of At Sea, In Berlin, Lenin Portrait (1982) that was screened separately. 1982. 16mm; 15 minutes; black and white; silent.

Peter Hutton's New York trilogy. An act of urban archaeology, a chronicle of indelible impressions of the city.

Real-life kung fu master Nathan Ingram stars in this gritty, low-budget martial arts epic as a local karate school owner who clashes with a gang of...

Down-and-out jukebox operator Macabee Cohn wanders the cheap tenements, dive bars, and derelict streets of the East Village in search of a mysterious...

A languid, beautifully shot collection of landscapes, edited into a whimsical and touching film.

In Titan's Goblet refers to a landscape painting by Thomas Cole circa 1833. The film is intended as a homage to Cole, who is regarded as the father...

"I developed a need to try to retain everything I was passing through, by means of my Bolex camera."

July ’71 is as much a record of the daily experiences of light and shadow as it is a catalogue of domestic life. More involved with...